[00:00:00] 'Don't be frightened, Mr. Gould is here...' - Glenn Gould
[00:00:04] The Canadian pianist Glenn Gould is to be soloist now,
[00:00:08] 加拿大钢琴家古尔德独奏
[00:00:08] and Bernstein conducting the New York Philharmonic
[00:00:12] 伯恩斯坦带领纽约爱乐乐团
[00:00:12] in the performance of the Piano Concerto No.1 in D minor by Brahms
[00:00:20] 为大家演奏勃拉姆斯D小调第一钢琴协奏曲
[00:00:20] I think Mr. Bernstein will have something to say to the audience.
[00:00:24] 开始之前，伯恩斯坦有一些话要和大家说
[00:00:24] So get down to the stage
[00:00:28] 请他来到舞台
[00:00:28] Don't be frightened. Mr.Gould is here. He will appear in a moment
[00:00:34] 大家不要慌张，古尔德在后台，马上就会和大家见面
[00:00:34] I'm not, um, as you know, in the habit of speaking on any concert
[00:00:40] 我并不习惯在演出前说些什么
[00:00:40] except the Thursday night previews
[00:00:42] 其实，除了周四晚的预演
[00:00:42] but a curious situation has arisen, which merits, I think, a word or two
[00:00:49] 但是，现在的状况，让我觉得有必要说几句
[00:00:49] You are about to hear a rather, shall we say,
[00:00:52] 待会儿在座各位听到的勃拉姆斯D小调第一钢琴协奏曲
[00:00:52] unorthodox performance of the Brahms D Minor Concerto
[00:00:57] 我觉得可以说是离经叛道的
[00:00:57] a performance distinctly different from any I've ever heard,
[00:01:00] 至少，和我从前听过的完全不一样
[00:01:00] or even dreamt of for that matter
[00:01:03] 甚至是我从未想象的
[00:01:03] in its remarkably broad tempi
[00:01:06] 它的节奏在很大的范围内变换
[00:01:06] and its frequent departures from Brahms' dynamic indications
[00:01:12] 并且频繁地背离勃拉姆斯使用的力度标记
[00:01:12] I cannot say I am in total agreement with Mr.Gould's conception
[00:01:17] 不得不说我没法完全同意古尔德的想法
[00:01:17] and this raises the interesting question:"What am I doing conducting?”
[00:01:23] 那么就引发了一个有趣的问题：“我还指挥什么？”
[00:01:23] I'm conducting it because Mr.Gould is so valid and serious an artist
[00:01:30] 我想我指挥是因为古尔德是一个可信、认真的艺术家
[00:01:30] that I must take seriously anything he conceives in good faith
[00:01:35] 因此我会非常严肃的对待他提出的任何他坚信的东西
[00:01:35] and his conception is interesting enough
[00:01:39] 并且，他的想法非常有趣
[00:01:39] so that I feel you should hear it, too
[00:01:43] 我觉得值得在座各位听一听
[00:01:43] But the age old question still remains:"In a concerto,
[00:01:48] 然而，老问题又来了：
[00:01:48] who is the boss; the soloist or the conductor?"
[00:01:56] “在协奏曲中，该听谁的？独奏者还是指挥？”
[00:01:56] The answer is, of course, sometimes one,
[00:01:58] 答案并不是唯一的
[00:01:58] sometimes the other, depending on the people involved
[00:02:01] 有时是前者，有时是后者，这取决于具体参与其中的人
[00:02:01] But almost always, the two manage to get together
[00:02:05] 但是在大多数情况下，是二者通过说服、
[00:02:05] by persuasion or charm or even threats to achieve a unified performance
[00:02:13] 俘获甚至威胁对方的方式，达成对演出的共识
[00:02:13] I have only once before in my life had to submit to a soloist's wholly new
[00:02:20] 我生平只有一次对独奏者如此新奇、难以接受的想法做这样的退让，
[00:02:20] and incompatible concept and that was the last time I accompanied Mr.Gould
[00:02:30] 那就是我上一次和古尔德合作的时候
[00:02:30] But, but this time the discrepancies between our views are so great
[00:02:40] 但是，因为这一次我们之间的分歧如此巨大
[00:02:40] that I feel I must make this small disclaimer
[00:02:44] 我觉得有必要在此做这样的说明
[00:02:44] Then why, to repeat the question, am I conducting it?
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